For the sky they swirl, each dab of color rolling with the clouds around the stars and moon. On the cypress tree they bend with the curve of the branches. The whole effect is ethereal and dreamlike. The hills easily roll down into the little village below. In contrast, the town is straight up and down, done with rigid lines that interrupt the flow of the brush strokes.
Tiny little trees soften the inflexibility of the town. Bringing nature into the unnaturalness of buildings. None of the scenery matches the area surrounding Saint-Paul or the view from his window. The contrast in styles plays on the natural versus the unnatural, dreams versus reality. Nature could even be attributed to the divine in this work. Some people associate this quote to the painting. It could be that Van Gogh simply wanted to breathe in the higher power into his art, as he grew up in a religious household.
Divide the painting into three parts. Despite his struggles with his mental health, it was at Saint-Paul-de-Mausole that Van Gogh created what many consider his magnus opus, The Starry Night , based on the night-time view from the window of his small room. Two more works of note from this period are on display at the MoMA. Both share the emblematic wavy brushstroke technique found in The Starry Night. Van Gogh left Saint-Paul-de-Mausole in and moved to the Parisian suburb of Auvers, where he spent the final year of his life.
He initially moved to Auvers to be treated by homeopathic doctor Paul Gachet, but in a letter to his brother, Van Gogh confided that he thought Gachet was "iller than I am. The painter likely shot himself within weeks of finishing the piece. You might also like: The best museums for American art in the US Discovering the Louvre's lesser-visited Richelieu wing X marks the spot: real hidden treasures you can find around the world. Get more travel inspiration, tips and exclusive offers sent straight to your inbox with our weekly newsletter.
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