I, for one, really enjoy the way that Hz sounds to my ears. Learn the basics of digital audio and how a computer handles sound, from audio sample rate to bit depth. From oscillators to envelopes and filters, learn the basics of Synth VSTs so you can start creating your own sounds for use in your music production.
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You can unsubscribe at any time. Shop Deals. Never Miss an Article! A brief history of tuning standards Over the past few centuries, the tones that have made up western classical music have fluctuated considerably.
The rise of Hz Many musicians and non-musicians alike vehemently oppose the industry standard of Hz as a reference for tuning. Beneficial properties Hz Lots of websites claim that Hz is a "universal" frequency. Listen for yourself! Take the test here. In addition to ongoing historical work on American music in the French imaginary during the long nineteenth century, Rosenberg conducts research related to historical and current debates over tuning standards and the Hz music phenomenon.
Journal of Popular Music Studies 1 March ; 33 1 : — Increasingly connected via social media, listeners in this subculture do not necessarily share the same musical tastes or backgrounds.
Alternatively, they prefer and in some cases promote and advocate for music that is tuned to a slightly lower, A Hz standard.
This preference is, for many, connected to beliefs that the A Hz tuning reference can be physically, psychologically, and even spiritually beneficial. It draws from research into some of the common historical, scientific, and conspiratorial claims made by Hz advocates, as well as from qualitative data collected from dedicated Hz listeners.
After exploring the listening practices and media engagement of Hz proponents, the article asks how the rise of Hz music might relate to other recent and emerging forms of music consumption, the affective marketing of sound, and the management of personal sonic space. When Lyndon LaRouche died in February at the age of 96, obituaries remembered him as a far-right political figure who ran for U. In his lifetime, LaRouche was known for promoting controversial political and economic causes heavily informed by conspiracy theories.
Alongside some of these more extreme agendas, LaRouche also maintained a longstanding commitment to a specific matter of musical reform. In , a LaRouche entity called the Schiller Institute petitioned the Italian legislature to abandon the standard pitch used worldwide as a musical tuning reference in broadcasting, musical instrument manufacture, and in educational and arts institutions. At the time, the campaign found supporters among some of the biggest names in opera, such as Placido Domingo, Luciano Pavarotti, Renata Tebaldi, and Birgit Nilsson.
Although this particular initiative was ultimately unsuccessful, LaRouche and the Schiller Institute would continue for decades to argue that this subtle change in musical tuning was essential to the preservation of Western art music. Twenty-five years later, in what would seem an unlikely development, the question of an A tuning standard was being hotly debated in certain corners of the internet.
Moreover, the site suggested ways in which curious listeners could experiment with audio software in order to lower the pitch of their digital music files. Since the distance between the international standard pitch of A and A is less than a third of a semitone The campaign had hoped to change the standard pitch of elite institutions of opera and orchestral music in order to protect revered classical repertoire and voices. Such practices, I suggest, respond to how our constant connectivity seemingly exposes us to unwelcome or suspect media and thus generate novel modalities of listening.
In addition to other sources, this paper builds on information gathered from personal communication with individual Hz listeners and creators, as well as from data collected from individuals who responded to an online survey in the winter of ; this survey collected qualitative data about the listening habits, musical ideologies, and sensory experiences of listeners who consume Hz music.
Also informing what follows are several hundred user reviews, queries, and communications related to the iOS and Android versions of the smartphone app Player, which are occasionally quoted below. Since its beginnings in the early s, Hz music as an online phenomenon has been largely YouTube-based, and the site is still the most common way in which fans find and share music and information.
But offerings on YouTube for those seeking Hz music now go well beyond these categories and encompass commercial recordings by mainstream artists. This content is uploaded to channels by creators using audio software to lower the original pitch of a track presumed to be tuned to A to bring it closer to an A tuning reference.
Or, the track can be time-stretched, meaning the pitch is lowered by slowing the track down slightly. Before Hz versions of mainstream music became common on YouTube, curious listeners had to convert their personal digital music libraries using audio-editing programs and, more recently, software products specifically marketed to Hz listeners.
This is the way many YouTube channels originally started. The creator of one of the longest-running and consistently updated Hz YouTube channels recalls his early years making YouTube content from his own music library: I began doing this in …I learned how to convert songs myself using the Audacity program and began doing some of my own personal favorites.
There were a few channels doing classical music mainly in Today, the number of Hz channels and listeners is still small, allowing opportunities to communicate with one another and maximize the sharing of Hz content.
His channel also responds to requests from individual subscribers for Hz versions of particular songs. Although songs are occasionally taken down for copyright infringement, it is relatively easy to find Hz versions of songs by any popular artist: The Police, Metallica, Drake, Lizzo, Lil Nas X, Taylor Swift, and Ariana Grande are all represented. Since launching, the developers have observed that increased visibility of Hz music, both on- and off-line, has attracted new users to the app.
According to the developers, as of the fall of they had about one million organic downloads. A surge of downloads followed a post about Hz tuning by Spanish vlogger Jose Luis Camacho Espina in , and downloads from Puerto Rico increased following a public talk on the subject given at the Mita Church in Hato Rey. The introduction of Player has enabled listeners to engage in mobile listening of their personal music library pitch-shifted in real time.
But why retune? As evidenced by the eclecticism of the site to which Prince sent his fans in , there is no single argument in favor of Hz music to which its proponents all ascribe. Online debates and discussions about Hz usually reflect prevailing themes that fall into three general categories.
One category of claims argues that an A tuning standard is more historically legitimate than A A second, and related, category encompasses conspiracy theories that attribute the A tuning standard to nefarious political and economic actors. Finally, the most eclectic and influential category encompasses claims that music tuned to an A standard has special natural or cosmic qualities that make it physically, psychologically, and spiritually beneficial to listeners.
The idea that A is a more historically legitimate pitch reference than A has its roots in the fickle history of European and North American tuning standards. Before about , no single pitch standard existed Europe. This was evidenced in the work of Alexander Ellis, a British mathematician, philologist, and pioneer of pitch measurement.
For more inner peace, listen to Hz because it gives more clarity than Hz. Researchers claim that they feel calmer, happier and more relaxed when playing and listening at Hz. Music that is tuned to Hz is more friendly for the ears and unites the listeners to the universal harmony and generates positive effects on mind and body. There is allegedly something sinister and evil about Hz.
Without going too far down this rat hole, this theory says that tuning all music to Hz turns it into a military weapon. Going a little deeper, we end up at the doorstep of the Nazis. These destructive frequencies entrain the thoughts towards disruption, disharmony, and disunity. Additionally, they also stimulate the controlling organ of the body — the brain — into disharmonious resonance, which ultimately creates disease and war. Does listening to music make you feel more warlike and diseased?
Got that? Now try another experiment. Now listen to this. Can you feel a difference? Therefore, Hz music increases the spiritual development of the listener. It may even have healing properties.
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